R01-R02R03R04R05R06R07R08R09R10R11 R12 R13
P01-P02 InstallationFR01FR02Closing: Awards and Encores


April 11, Saturday, 17.00, Rodina, Main Hall
Program R4: Choreographer’s Corner – Alain Platel

VSPRS Show and Tell (72 min, 2006, UK)
dir. Sophie Fiennes

Acclaimed Belgian choreographer Alain Platel has never shied away from shocking audiences. And his latest work, VSPRS is his most outrageous yet -- one critic calling it "the weirdest, most shocking and provocative dance performance you will ever see." The dance, made up of ten dancers and ten musicians, is performed to Claudio Monteverdi’s ‘Marian Vespers’, one of the most important works in the history of European religious music. The artists trained by immersing themselves in images of psychiatric distress, and together carve out an extremely physical and graphic performance immersed in religious and sexual imagery. In Sophie Fiennes’ mesmerising documentary, the dimensions of ecstasy and trauma that form the core of the performance are masterfully captured, and filmed conversations between Platel and his dancers bring an extra layer of insight and intimacy to the performance.

Sophie Fiennes began making films in 1998. She is widely acclaimed for her unique observational eye and strong sense of cinematic form. Fiennes often employs a collaborative approach to filmmaking. She has worked with artists and thinkers ranging from dancer/choreographer Michael Clark to philosopher /psychoanalyst Slavoj Zizek. Her films therefore also act as powerful portraits of some of today's most iconic individuals. Sophie Fiennes' films have screened theatrically, on television and in festivals around the world, including Sundance, Telluride, Locarno, Toronto, Rotterdam. Edinburgh, Sydney and London. In 2000 she was awarded a NESTA fellowship to support her innovative approach to film making.

Alain Platel, director and choreographer, is best known for his pioneering work with the internationally acclaimed Belgian companies "Les Ballets C de La B" and "Victoria". He founded Les Ballets C de la B in 1984, and since then the dance and theatre collective has forged a reputation for giving powerfully theatrical dance performances.

R01-R02R03R04R05R06R07R08R09R10R11 R12 R13
P01-P02 InstallationFR01FR02Closing: Awards and Encores


© Kinodance–Russia, 2009
akovgan@kinodance.com